The Architecture of Closed Worlds,­ Or, What is the Power of Shit

The Architecture of Closed Worlds, Or, What is the Power of Shit

Writing

What do space capsules, submarines, and office buildings have in common? Each was conceived as a closed system: a self-sustaining physical environment demarcated from its surroundings by a boundary that does not allow for the transfer of matter or energy.

The history of twentieth-century architecture, design, and engineering has been strongly linked to the conceptualization and production of closed systems. As partial reconstructions of the world in time and in space, closed systems identify and secure the cycling of materials necessary for the sustenance of life. Contemporary discussions about global warming, recycling, and sustainability have emerged as direct conceptual constructs related to the study and analysis of closed systems.

From the space program to countercultural architectural groups experimenting with autonomous living, Closed Worlds documents a disciplinary transformation and the rise of a new environmental consensus in the form of a synthetic naturalism, wherein the laws of nature and metabolism are displaced from the domain of wilderness to the domain of cities and buildings. While these ideas derive from a deeply rooted fantasy of architecture producing nature, Closed Worlds displays their integration into the very fabric of reality in our contemporary cities and buildings.

Closed Worlds presents an archive of 39 historical living prototypes from 1929 to the present that put forth an unexplored genealogy of closed resource regeneration systems. Prototypes are presented through unique discursive narratives accompanied by historical images, and each includes new analysis in the form of a feedback drawing that problematizes the language of environmental representation by illustrating loss, derailment, and the production of new substances and atmospheres. Each drawing displays a feedback loop, wherein the human physiology of ingestion and excretion becomes the combustion device of an organizational system envisioned for humans, animals, and other live species. The moments of failure portrayed when closed worlds escape the designed loop cycles raise a series of questions about the ontology of autonomous enclosures.

The book also showcases a timeline of the 39 prototypes, illuminating the ways in which they have contributed to the idea of “net zero” in our contemporary culture of sustainability. The timeline highlights the evolution of total circular resource regeneration, from military research and the experiments of NASA’s space program, to more contemporary manifestations such as the benefits of the housing industry, countercultural practice for autonomous living in the city, nostalgia for the homesteading movement, and ecological tourism and environmental capitalism.

This book examines ecological questions viscerally, via the raw ecology of our bodies and their excrement. It studies recycling not as a statistical problem relayed to the management of urban resources but as a basic bodily reality affecting the water we consume and the air we breathe. To write a counter-history to the established sustainability axiom “cradle to cradle,” one needs to look at shit. Only through this raw confrontation may the ecology of life be somehow useful. To avoid clichés of sustainability, shit might be our only way out.


BOOK DISCTINCTIONS
Finalist for the 2019 “Cornish Family Book Prize” by the National Gallery of Victoria in Melbourne, Australia for my book The Architecture of Closed Worlds, Or, What is the Power of Shit (Lars Muller Publishers &Storefront for Art and Architecture, 2018), honoring excellence and innovation in art and design publishing internationally. The winner and five finalists were chosen from near a hundred entries around the world during the Melbourne Art Book Fair.
The Architect’s Newspaper selected The Architecture of Closed Worlds as a top summer read in 2018.
Strelka magazine selected The Architecture of Closed Worlds as one of six best books for a broken planet in May 2019.
Artbook marked The Architecture of Closed Worlds as staff “hands down” favorite design read in December 2018.

BOOK REVIEWS
Journal of Architecture:The Architecture of Closed Worlds” by Mason White, Vol.24, No.6 (February 2020).
PINUP: "Full Circle" by Jack Gross, No.27 (fall/ winter, 2019).
Revista Plot: Book review in Spanish, no. 47 (fall 2019). 
Metropolis: “Why Architects Need to Get Dirty to Save the World” by Mimi Zeiger (October 2018).
Archinect: “37 Fearless Moments of Modern History: A Review of ‘The Architecture of Closed Worlds” by Shane Reiner-Roth (February 2019).
Architect’s Newspaper: “Lydia Kallipoliti cracks open yesterday's sealed techno utopias” by Fred Scharmen (May 2019). 
Abitare: “The Closed Worlds of Lydia Kallipoliti” by Fabrizio Gallanti (May 2019). 


BOOK INTERVIEWS
Monocle: Closed Architecture, Interview Feature (August 2018).
Archisearch: Interview with Lydia Kallipoliti on The Architecture of Closed Worlds (October 2019).
Haaretz newspaper (Israel): Interview with Lydia Kallipoliti by Dan Handel (April 2020): “Did you think living in a bubble is utopia?”

CREDITS
RESEARCH TEAM: Alyssa Goraieb, Hamza Hasan, Tiffany Montañez, Catherine Walker, Royd Zhang, Miguel Lantigua-Inoa, Emily Estes, Danielle Griffo, and Chendru Starkloff
FEEDBACK DRAWINGS: Temitope Olujobi
COPY EDITOR: Maureen Bemko
IMAGE EDITOR AND PERMISSIONS ASSISTANT: Maria Vollas
COMMENTARY CONTRIBUTORS: Ross Exo Adams, Albert Narath, Wulf Böer, Caroline Maniaque, Jonathan Massey, Janette Kim & Eric Carver, Beatriz Colomina, Theodora Vardouli, Christina Ciardullo, Daniel Barber, Peder Anker, Mitchell Joachim

BOOK SPONSORS: The Robert S. Brown ’52 Fellows Program at Rensselaer Polytechnic Institute, Elise Jaffe and Jeffrey Brown, Pentagram
RESEARCH SUPPORT: Syracuse University (School of Architecture), Rensselaer Polytechnic Institute (School of Architecture)


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